Richard
Wagner and the French
By Don Robertson
Excerpt
from the Introduction to the score for Istar by Vincent
D'Indy published by Musikproducktion
Höflich.
The
importance and magnitude of the artistic movement that
took place in France during the last decades of the 19th
Century cannot be denied. It created a transformation in
the evolution of art, poetry and music.
To
better grasp what was taking place in France at this time,
it is necessary to understand the influence that the music
and writings of Richard Wagner had upon many young
creative artists living and working in Paris. The first
performance of Wagner’s revolutionary work Tannhaüser
that took place in Paris in 1861 created such a scandal
among the entrenched establishment that another Wagner
music drama would not be staged in Paris until 1887 (a
performance of Lohengrin
directed by Charles Lamoureux, with the help of Vincent
d’Indy). Despite the lack of a French Wagnerian staging
for twenty-six years, French artists, composers, and poets
listened to piano reductions of Wagner’s music and
consumed his writings.
The world premiere of Wagner’s fifteen-hour-long ring
cycle took place in his new theater in Bayreuth, Germany
in August 1876, and a handful of French composers made
pilgrimages to this almost holy shrine. Upon returning,
they talked and wrote profusely about what had taken
place; Saint-Saëns, for example, wrote five articles
about the Bayreuth experience and Catulle Mendès three. A
few years after, concerts of Wagner’s music began to
take place in Paris. Those at the Eden Theater, conducted
by Charles Lamoureux, resembled holy services, to which
painters like Blanche and Valloton, poets and writers such
as Mallarmé and Proust, and many musicians and composers
flocked.
By
the mid-1880s, the music and thinking of the now-deceased
Wagner had ignited nearly the entire intellectual and
artistic movement in Paris, including the most
distinguished and the most gifted artists, writers, and
composers. Some, in addition to attending the Eden Theater
concerts, made pilgrimages to Bayreuth. The effect of
Wagner’s music was deeply felt. Ravel and Chabrier had
similar experiences during performances of the prelude to Tristan
und Isolde:
the music so moved them that they broke into tears and
sobbed. Composer Guillaume Lekeu fainted during an 1889
Bayreuth performance, and Vincent d'Indy broke down and
wept while experiencing the death of Siegfied in Götterdamerung.
Wagner's
influence on French music was overwhelming. Testimony to
this were Wagnerian-inspired music dramas, including
Debussy’s
Pelléas et Mélisande,
Bruneau's Le
Rêve,
Chapentier’s Louise,
Reyer’s Sigurd,
Chausson’s Le
Roi Arthus,
and d’Indy’s Fervaal.
Additionally, composers such as Franck, Gounod, Lekeu,
Bizet, Massenet, Saint-Saëns, Duparc, Fauré, Delibes,
and Ravel were all inspired by Wagner, as well as the
poets and writers Villiers de l’Isle-Adam, LaForgue (who
influenced Eliot and Pound), Valéry, Colette, Dujardin,
de Nerval, Gautier, Mallarmé, Proust, Verlaine, Ghil,
Baudelaire, Morice, and Vignier. Among painters were
Blanche, Valloton, Gauguin, Cézanne, Bazille,
Fantin-Latour, Whistler, and Doré.
©
2005 by Rising World Entertainment |