“Man in his entirety must be
in evidence for the expression of the most exalted, and
this whole man is intellectual man united with physical
and emotional man, not any one of these by themselves”
“In drama we must understand
through feeling.”
“The mystic is the man for me…the man who
feels the urge to ignite for himself the inner light in
contrast to the outer brightness which shows him nothing.
The name of illuminati was for this reason very aptly
chosen, only, as Schopenhauer rightly says, one must be
able to strip off the layers which the catechism spreads
over such natures.”
The Diaries of Cosima Wagner March 17, 1873
“If I wrote about the Jews
again, I would say that there is nothing to be held
against them, only that they came to us Germans too soon
and we were not stable enough to absorb this element.”
The Diaries of Cosima Wagner. November 21, 1888
“A direct relation to morality has not as yet
been generally ascribed to music. In fact music has even
been judged as morally harmless. But that is just not so.
Could an effeminate and frivolous taste remain without
influence on a man’s morality? Both go hand in hand and
act reciprocally upon each other. We could refer back to
the Spartans, who forbade a certain type of music as
injurious to morals. But instead, let us just think back
to our own immediate past. With tolerable certainty we can
state that those who have been inspired by Beethoven’s
music have been more active and energetic
citizens-of-state than those bewitched by Rossini, Bellini,
and Donizetti, a class consisting for the most part of
rich and lordly do-nothings.”
From the article “A National Theater”
“German poetry, music and philosophy are
nowadays esteemed and honored by every nation in the
world; but in his yearning after “German Glory,” the
German, as a rule, can dream of nothing but a sort of
resurrection of the Roman Empire, and the thought inspires
the most good-tempered German with an unmistakable lust
for mastery, a longing for the upper-hand over the other
nations. He forgets how detrimental to the welfare of the
German peoples that notion of the Roman state has been
already. Jesus teaches us to break through the barriers of
patriotism and find our amplest satisfaction in the wealth
of the human race.”
“Through its measureless value to the individual
does the Christian religion prove its lofty mission, and
that through its dogma.”
“Is the German already tottering to his fall?
Woe to us and to the world if the nation itself were saved
and the German folk remained, but the German spirit had
taken flight for the sake of power.”
“I have no connection whatever with the present
anti-Semitic movement. An article of mine about to appear
in Bayreuther Blätter will state this in such a way that
it should be impossible for intelligent people to identify
me with this movement.”
In a
letter to Angelo Neumann
February 23, 1881
“I am no composer, I only wanted to learn enough
to compose Leubald und Adelaïde, and that is how
things have remained – it is only the subjects which are
different.”
The Diaries of Cosima Wagner January 23, 1870
“Prometheus’s words ‘I took knowledge
away from Man’ came to my mind and gave me a profound
insight; knowledge, seeing ahead, is in fact a divine
attribute, and Man with this divine attribute is a piteous
object. He is like Brahma before the Maya spread before
him the veil of ignorance, of deception; the divine
privilege is the saddest thing of all.”
The Diaries of Cosima Wagner November 29, 1871
“Only the profound hypothesis of reincarnation
has been able to show me the consoling point where all
converge in the end to an equal height of redemption,
after their divers life-careers, running severed
side-by-side in time, have met in full intelligence beyond
it. On that beautiful Buddhist hypothesis the spotless
purity of Lohengrin becomes easy to explain, in that he is
the continuation of Parzival – who first had to wrest to
himself his purity."
Letter to Mathilde Wesendonck
“In Tannhauser, I had yearned to flee a
world of frivolous and nauseating sensuousness – the
only form our modern present life has to offer.”
“The most burning need of the present generation
is that of Universal Human Love; and we can but look with
full assurance to a future element in life in which this
love must needs give birth to works undreamt of as yet,
works that shall turn those scraps and leaving of Greek
art to unregarded toys for fractious children.”
From
“Art and Climate”
“God is in us – The world is vanquished. Who
created it? Idle question! Who vanquished it? God in our
hearts!”
Asyl,
Good Friday, 1856
“I should like to introduce to you a poet whom I
recently recognized as the greatest of all poets, the
Persian poet Hafiz, of whom there is now a very enjoyable
German version. Having gotten to know this poet, I am
really appalled by the poor appearance that we make with
our pompous European intellectual culture, compared with
what the East has produced in such security, exaltation,
joy and peace of the spirit.”
Letter to Röckel September 12, 1852
“I am reading the German mystics, and today,
[the 14th Century monk Johannes] Tauler. The
coming of grace is particularly enthralling. All the same,
everything is more spacious, peaceful and serene on the
Ganges than in the cells of these Christian
monasteries.”
“Sie
wissen, wie ich unwillkürlick zum Buddhisten geworden
bin” (You know that I have instinctively become a
Buddhist).
Letter to Mathilde Wesendonck, February 22, 1859
“There
is indeed much that we will admit to among ourselves. For
example, since becoming acquainted with Liszt’s
compositions, I have become a completely different person
harmonically. But when friend Pohl applauds this secret a
la tete in a short discussion of the Tristan Und
Isolde Prelude – and for all the world to hear –
then an indiscretion is committed.”
Letter to Hans Von Bülow October 7, 1959
On August 21, 1880, Wagner saw the Cathedral
in Sienna, Italy for the first time and it moved him to
tears. He exclaimed that no building had ever made such an
impression on him. “Ich möchte das Vorspiel zu Parsifal
unter der Kuppel hören!” (How I would love to hear the
prelude to Parsifal underneath this dome!)”
The Diaries of Cosima Wagner. August 21, 1880
About the forthcoming composition of Tristan
Und Isolde: “So much is clear to me: I must this
time accomplish a miracle in order to get the world
believe in me.”
Of Act II of Die Walküre: “It comprises two
crisis, so powerful and significant that it would really
provide significant material for two acts, yet it would be
impossible to separate them. A thing like this is really
only written for such as have some staying power. I cannot
be influenced by the fact that the weak and incapable will
complain."
About Rafael’s Sistine Madonna: “Here
beauty overcomes the sexual urge. No man would dare
approach this woman.”
The Diaries of Cosima Wagner 1873
In Saint Petersburg, Russia, Wagner was obliged to
repeat the Lohengrin Prelude, during which he had a
vision: “The whole orchestra turned into angels – 130
of them – who were greeting me with this strangely
ecstatic music on my arrival in heaven.”
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